![]() More information and links at our radio website where you can listen again to shows via the presenter pages: getreadytorockradio.The line between genius and insanity is, according to the old adage, a very fine one, and UFO has spent their entire career balancing on it and throwing caution to the wind as they embraced everything that music had to offer. Listen in via the Tunein app and search for “Get Ready to ROCK!” and save as favourite. Get Ready to ROCK! Radio is also in iTunes under Internet Radio/Classic Rock This show was first broadcast 11 July 2023.Ĭlick the programming image at the top of the page (top right of page if using desktop) The show is repeated on Wednesdays at 22:00, Fridays at 20:00). UK Blues Broadcaster of the Year (20 Finalist) Pete Feenstra presents his weekly Rock & Blues Show on Tuesday at 19:00 GMT as part of a five hour blues rock marathon “Tuesday is Bluesday at GRTR!”. The show signposts forthcoming gigs and tours and latest additions at. He recently signed a recording deal with Sony in Canada and released a new single ‘Hold On Virginia’.ĭavid Randall presents a weekly show on Get Ready to ROCK! Radio, Sundays at 22:00 GMT, repeated on Mondays and Fridays), when he invites listeners to ‘Assume The Position’. ****įeatured Artist: JOSH TAERK Since early 2020 Josh has been entertaining us with exclusive monthly live sessions, streamed via Facebook. Thirty year old recordings shouldn’t sound this good, but they do. ![]() The remarkable quality of the remastered sound is worth mentioning here. Both tracks propel the band full tilt into ‘Shoot Shoot’ and a blazing cover of Eddie Cochran’s ‘C’Mon Everybody’.Īs the cliché goes, the audience went wild. Few bands can equal the rapidfire ‘Doctor Doctor’ and the sheer raw urgency of ‘Rock Bottom’. High points of the Lights Out Live In Tokyo disc are unquestionably the closing handful of classic tracks. It has that strident authority that carries songs like ‘Primed For Time’ and ‘Running Up The Highway’ which, in other hands would have come across cliched and hopelessly dated. Mogg’s voice has a worn down edge that suggests he’s circled the block many times and danced with the devil more than once. The songs, as usual, are something of a force of nature, bruising encounters with life, full of sharp metaphors and guilty parties.įrom ‘Ain’t Life Sweet’s visceral riff and back-to-front catharsis to ‘Bordeline’s propulsive rhythms and hard won promises, the album’s tough as teak hard rock treats love and relationships like contraband, to be smuggled past the powers that be. They are clearly so in tune with each other that we cannot avoid being in tune with the music ourselves. No lab could have cooked up this chemistry. An in form Phil Mogg and the return of influential wildman bassist, Pete Way completed the line up. The High Stakes… studio album was the one and only UFO album to feature guitarist Lawrence (Grand Slam/WildHorses) Archer and drummer Clive (Uli Jon Roth/Bernie Marsden) Edwards, and it’s a beautiful thing. So when they toured the High Stakes And Dangerous Men album there in 1992, they would include a Lights Out set. UFO’s Lights Out (1977) had been a huge album for the band in Japan. Share the post "Album review: UFO – High Stakes And Dangerous Men / Lights Out In Tokyo (2 CD set)"
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